The Audio Damage 914 Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer’s 914 module, and a major upgrade to our original 907A plugin. This plugin creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter.
BigSeq2 is a massive extension to the feature set of our popular BigSeq gate effect. With twelve sequencers controlling ten effects in six blocks, BigSeq2 is capable of everything from short staccato gate sequences to long, evolving filter sweeps and frequency shifts, and everything in between. The six effect “Blocks” contain ten effects in total, and these Blocks can be re-arranged simply by dragging them, giving you full control over the routing of the effects. Each effect Block has a gate sequencer and a modulation sequencer. The gate sequencer turns that effect on and off (or in the case of the delay Block, activates the “send” control), while the modulation sequencer can affect any and all parameters in that block.
Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.
Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.
Audio Damage has updated its free Rough Rider compressor effect plug-in to include 64-bit support for Windows and Mac.
Rough Rider is a modern compressor with a bit of “vintage” style bite and a uniquely warm sound. Perfect for adding compression effects to your drum buss, it also sounds great with synth bass, clean guitar, and backing vocals.
ADverb is a model of a vintage digital plate reverberator. It faithfully recreates the thick sonic character and easy-to-use interface of those early units, while providing the low noise floor and big headroom inherent in modern software-based reverb.
Audio Damage’s Phase Two plug-in is a perfect digital recreation of the Bi-Phase, one of the most sought-after vintage phaser units, highly prized for its liquid and subtle stereo phasing abilities.
PulseModulator is a model of an extremely rare (and exceedingly strange) tremolo pedal from the 70s. Three LFOs effect the VCA at the same time, and the whole mess goes through a distortion circuit, resulting in strange… uh… modulating pulses of sound.
Ratshack Reverb is a detailed model of that classic of classics, the Realistic Electronic Reverb. Now, you can have the sound of everyone’s first analog delay unit, without ever having to change batteries!
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